Clarinetist, Evan Christopher combines virtuosity, immaculate taste, and enthusiasm with a deep commitment to exploring the full range of possibilities around the New Orleans clarinet tradition. His highly personal brand of “contemporary early-jazz” strives to expand the unique musical vocabulary created by early Creole musicians such as Sidney Bechet, Omer Simeon, and Barney Bigard.
Christopher’s journey on Clarinet Road began in 1994 when he left his native California to be a part of the New Orleans music community. Diverse work included gigs with musicians such as Al Hirt or veterans of Preservation Hall to funk and brass bands including the Nightcrawlers and Galactic until he accepted regular work with the Jim Cullum Jazz Band of San Antonio, Texas in 1996. For nearly three years, he appeared nightly as their featured clarinetist and recorded several of their syndicated radio programs, Riverwalk: Live from the Landing.
Christopher returned to New Orleans to be an ambassador for the New Orleans clarinet style. Besides his own “Clarinet Road” series of CDs (STR Digital), he has recorded alongside New Orleans artists including Big Al Carson, Duke Heitger, Irvin Mayfield, Uncle Lionel Battiste, and Tom McDermott. After the the Federal levees failed in the aftermath of Hurricane Katrina in August, 2005, he traveled continuously and even based himself briefly in Paris at the invitation of the French government. During this artist-residency, he formed his current groups, the JazzTraditions PROJECT and Django à la Créole . The latter, fusing Gypsy Swing with New Orleans grooves and rhythms of le monde Créole, released their debut CD, “Django à la Créole” in 2008. Their second outing, “Finesse ” (Frémeaux & Associés), was chosen for best jazz CD of 2010 in the Sunday Times, UK.
As a composer, his original songs are the high point of critically acclaimed CDs such as “Delta Bound ” (Arbors, 2007) featuring pianist Dick Hyman, “The Remembering Song ” (Arbors, 2010) featuring guitarist Bucky Pizzarelli, and the Grammy-winning New Orleans Jazz Orchestra’s “Book One.” In July 2010, he had the honor to debut his “Treat It Gentle Suite,” the first concerto written for clarinet and jazz band in the New Orleans style, with the Minnesota Orchestra.